It was serendipitous that our paths crossed. Ironically, through-out the course of our marathon improv discussion the one thing I did not learn was her name. Oh, name-less improviser, you have my ever-lasting gratitude.A week later, I was back in Los Angeles. I was not in great shape. My perception sashayed between a living nightmare to being slightly out of sync with the world. For the first time in my teaching career, I was not looking forward to the classroom and wanted to get that returning workshop out of the way as soon as possible, so I could go home and wallow in some misery. I designed a few group assignments that required very little input from me. My plan was to just sit and watch the class work.
My students had something else in mind.When I entered the auditorium where the class took place, the faces of the students lit up as if I was a long lost relative. The substitute they had was old school. He was not a believer in my learning by doing approach. He lectured. Endlessly.I laid out what I wanted the students to accomplish in class. Silence. Nobody moved. Then, one of the shyest students spoke up. “Mr. Golding, since you traumatized us don’t you think you should make it up by letting us do what we want to, today?” That made me laugh. “Sure, what do you guys want to do, today?”They wanted me to play. With all of them. For the entire workshop.We warmed-up with Kitty Wants A Corner, where players in a circle try to make eye contact, and then switch places, while the “kitty” tries to capture a corner. Yup, I was the kitty. How did I fare? Let’s put it this way, I sweat less on a fifty mile bike ride.What followed next were a few rounds of Emotional Hurdles, where two players jump from one extreme emotion to another, while making the changes seem justified. I was in every round. With each consecutive scene partner, I started feeling more like myself again. For the first time since receiving news of my father’s death, I was in the moment, focusing on my fellow player and responding to the next called out emotion. More importantly, I was having fun.
The students know I’m a fan of “Walking Dead” and wanted me to create a game on the spot that involved zombies. So, I quickly devised a new version of “Red light, green light, one, two, three.” I would be the caller, and when my back was turned, the class had to approach me slowly as zombies. We discussed briefly how to get into the physicality of a zombie. Not all have working legs, arms or necks. First round, I could barely contain my laughter. They were all so into it. Every time I turned and they froze, I felt warmth and delight at the sight of twenty teenage zombies in various positions of physical disarray. They demanded a second round and this time, I was one of the zombies and it made me feel like a kid, again.We ended the session with “Multiple Views,” a game where a story is told in past tense of an event everyone attended. I opened the story with “I entered the theatre class and a substitute was there instead of Mr. Golding.” The class leapt on that like ravenous wolves. Apparently, the substitute was a cross-dressing, illegal immigrant, who was also a socialist terrorist trying to infiltrate the American way of life through indoctrinating high school students. I didn’t realize my college had such an innovative hiring policy.Originally, I intended the class to be short. By the time the session was over, I clocked in with a little over two hours. I left the school feeling energized. When I looked at myself in the mirror at home, I liked what I saw. There was color in my face and I appeared relaxed.I couldn’t wait for my next class.
Source:http://improvisliving.blogspot.com/2013/05/improv-is-my-co-pilot-by-michael-golding.html
Improv Is My Co-Pilot by Michael Golding Images
All Things Michael: Improv Is My Co-Pilot by Michael Golding
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Michael C. Golding,Texas A&M University,Plant & Animal Science ...
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Rick has just as many gold chains around his neck (also a reference to ...
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